Guitarist / Educator

Lines No.2 – The Tritone Hexatonic Scale over V7

This is the second example of how to use Pattern No.1 of the tritone hexatonic scale over a V7 chord. Instead of a typical four-bar ii-V-I progression, I’ve added the VI7alt in the last measure of the phrase, resolving to the ii chord in bar five. As with the first set of lines, I plan where I start the sequence over the dominant chord to get the desired resolution.