Lessons & Articles
Lines No.2 – The Tritone Hexatonic Scale over V7
This is the second example of how to use Pattern No.1 of the tritone hexatonic scale over a V7 chord. Instead of a typical four-bar ii-V-I progression, I've added the VI7alt in the last measure of the phrase, resolving to the ii chord in bar five. As with the first...
Lines No.1 – The Tritone Hexatonic Scale over V7
A demonstration of how to use the tritone hexatonic scale. This one is super simple - just go straight up or straight down the scale, finding a good resolution point. https://youtu.be/EiCYJrYuFWk
Tritone Scale – Pattern No.3
The tritone scale is created from two major triads that are a tritone apart. In this case, I'm using the G and Db major triads that result in a hexatonic scale G-Ab-B-Db-Dn-F and can be used for altered dom7 lines over both G7 and Db7. This scale can be played in...
Tritone Scale – Pattern No.2
The tritone scale is created from two major triads that are a tritone apart. In this case, I'm using the G and Db major triads that result in a hexatonic scale G-Ab-B-Db-Dn-F and can be used for altered dom7 lines over both G7 and Db7. This scale can be played in...
Tritone Scale – Pattern No.1
The tritone scale is created from two major triads that are a tritone apart. In this case, I'm using the G and Db major triads that result in a hexatonic scale G-Ab-B-Db-Dn-F and can be used for altered dom7 lines over both G7 and Db7. This scale can be played in...
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