


This is the second example of how to use Pattern No.1 of the tritone hexatonic scale over a V7 chord. Instead of a typical four-bar ii-V-I progression, I’ve added the VI7alt in the last measure of the...
Read MoreA demonstration of how to use the tritone hexatonic scale. This one is super simple – just go straight up or straight down the scale, finding a good resolution...
Read MoreThe tritone scale is created from two major triads that are a tritone apart....
Read MoreThe tritone scale is created from two major triads that are a tritone apart....
Read MoreThe tritone scale is created from two major triads that are a tritone apart....
Read MoreLooking for another way to alter a Dom7 chord, I combined the concepts of...
Read MoreIf you need a new blues soloing strategy, please check out my latest article...
Read More